“This strange and powerful transformation of the true crime format distributes unedited, public domain forensic audio.”
Best New Podcasts of 2017, The Audit
“We stumbled on this by accident and now feel compelled to tell everyone we meet about it, including you… Every episode features a piece of unedited, public domain, forensic audio – an interrogation or a trial or a 911 call. This is presented without introduction, narration, or comment… you’re on your own… These slivers of uncut actuality have a kind of mystical power – they are unsolvable puzzles, with an edge-of-life immediacy – and we couldn’t stop listening. New episodes drop randomly.”
The Audit, issue #77
Forensic Transmissions is an audiophile’s curated collection of public domain audio files. It emerged out of my own search for a true crime podcast that contains only the most compelling live audio–911 calls, trial clips, forensic testimony, police interrogations, and victim testimony–but without narration, judgements, commentary, or product endorsements. In the end, I began my own collection. “Forensic Transmissions” isn’t for everyone. I’ve discovered that most people, in fact, find them dull and tedious. But for those who share my audio obsessions, nothing on earth could be more riveting. The events unfold in real time, but the recordings are archival, which gives their urgency a paradoxical sense of loss. I’ve come to prefer live audio to visual coverage, which, in my view, leaves less to the imagination. Listen carefully to these audio recordings, and you’ll start to wonder what we’re doing here on this strange planet, moving mindlessly around the sun.
A couple of things to note. All episodes are categorized as explicit, although only a few include truly disturbing material. The podcast is available here, and on iTunes, and on Listen Notes. Episodes are released at random intervals, usually three or four every month. “Forensic Transmissions” is independently produced, without sponsorship. If you enjoy the podcast, please give me a rating on iTunes.
